- Waves gtr3 djent full#
- Waves gtr3 djent pro#
- Waves gtr3 djent license#
Whether you’re practicing alone, rehearsing with a band, playing live, or just jamming, the standalone ToolRack has all you need.
Waves gtr3 djent pro#
Now, you can fire up GTR3’s standalone ToolRack software without a host like Pro Tools or Logic. Celestron 4 x 12" Vintage Based on a straight cabinet with Celestion® speakers.Celestron 4 x 12" Based on a straight cabinet with Celestion® speakers.Electron 4 x 12" Based on a straight cabinet with Electro-Voice® speakers.Celestron 2 12" Crunch Based on a Carvin® Legacy C212E with Celestion® 30W speakers.
Celestron 2 12" Clean Based on a Carvin® Legacy C212E with Celestion® 30W speakers. Electron 2 x 12" Crunch Based on a Carvin® Legacy C212E with Electro-Voice® speakers. Electron 2 x 12" Clean Based on a Carvin® Legacy C212E with Electro-Voice® speakers. Acme Case Speaker Modeled on late 60’s Silvertone – Danelectro/Sears. Acme 2 x 10” OpenBack Based on 1965 Fender® Vibrolux Reverb Blackface. Acme 12” OpenBack Based on mid 60's Ampeg® Gemini. Acme 4 x 12” Cab Inspired by 1970’s HiWatt®. Acme 8” OpenBack Based on a 1968 Gibson® Skylark. Acme 2 x 10” Cabinet Modeled on a 1962 Vox® cabinet. Acme 12” Custom Modeled on a custom cabinet by Ted Jensen of Sterling Sound. 15” ClosedBack Based on Fender® Showman Cabinet 1960’s. 12” OpenBack Modeled on Mesa/Boogie® Mark IV, Electro-Voice speaker. 4 x 10” OpenBack Inspired by on Fender® Super Reverb® Blackface 1968, CTS alnico magnet speakers. 2 x 12” OpenBack Based on Vox® AC-30 Celestion Alnico Blue. 2 x 12” ClosedBack Modeled on Marshall® 1936 cabinet with G12 Greenback Celestions. 4 x 12” Inferno Modeled on a custom cabinet. 4 x 12” Britt Inspired by Orange® PPC412 Celestion Vintage30. 4 x 12” Vintage Based on Marshall® 1960ax with G12 Greenbacks. 4 x 12” Standard Modeled on Marshall® 1960a. With a huge range of speaker cabinets and perfectly matched mics, GTR3 gives you the power to mix and match equipment with unprecedented ease. Modern Modeled on a Mesa® Dual Rectifier® Solo Head, perfect for cutting-edge solo tones and drop-tuned power chords. Crunch Based on a custom Garcia® from Paul Reed Smith’s personal collection, tailor-made for sizzling lead lines and heavy sustained walls of grunge. Hot Inspired by a Koch® Combo, perfect for aggressive high gain sounds, scorching riffs, and stinging solos. Supernatural Modeled on a boutique amp from Paul Reed Smith's private collection, this overdriven lead tone sustains like a black magic woman. Scorch Based on a boutique amp from Paul Reed Smith's private collection, ideal for solid rocking rhythm chords. Waves gtr3 djent license#
Shredder Based on a Marshall® JMP1 preamp, this blazing metal tube tone is your license to shred. Inferno A virtual model with very high distortion and extremely fast cleanup, great for modern thrash Metal. Waves gtr3 djent full#
Monster Modeled on a Marshall® 100W Stack set at full gain for unique undertones.Crush Inspired by a modified Marshall® MK2 50W stack head, this is a hardwired gain machine.
Scream Based on a boutique amp from Paul Reed Smith's private collection, for killer, overdriven bluesy tones. Overdrive Based on a 1980 Marshall® JMP, this is the heavy rock sound in all its glory. Drive Modeled on a 1964 blackface Fender® Super Reverb®, this is the go-to amp for bluesy growl, fat saturated sounds, and everything in between. Cream Based on a 1966 Ampeg® Gemini II, with bright, detailed tone and a unique low frequency bloom. Warm An amazing jazz and ballad tone based on a boutique amp from Paul Reed Smith's private collection Drive AmpsEdgy Inspired by a 1980 Vox® AC-30 TB-2, for a big, rich sound with more than just a touch of attitude. 
Punchy Based on the stack master, a 100W Marshall® head, for a clean rhythm tone.Sweet Modeled on a 1968 Gibson® Skylark, this small tube amp delivers a clear sound with a clean bite.Clean Based on a 1959 tweed Fender® Bassman®, smooth and warm, with shimmering highs and luscious overtones.Direct Full-frequency, transparent tone, with light EQ and a hint of dynamics processing.
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